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Writing Tips...

Poet And Liar
©
by Linda Broday
Many of us in the writing profession take
our imaginations for granted. We've always
had it. It's as much a part of us as the
beat of our hearts. Yet, without imagination
our stories would be as riveting as
plumber's manuals.
What is it? Where does it come from? Are we
simply born with imagination?
Ambrose Bierce states:
"Imagination, n. A
warehouse of facts, with poet and liar in
joint ownership."
And, that certainly
fits. Writers take a seed of thought and
fabricate a story around it. Truth never
enters into the equation (well maybe a grain
or two of it does,) although the events and
people we create could happen exactly as we
portray them.
David Hume, an 18th century Scottish
philosopher, became enthralled with human
mental activity. He concluded that
impressions in our brains are copies of
actual things we have seen, felt, heard or
read about. According to him we have no
original thoughts. Case in point - a blind
person may know the word blue but he cannot
associate it with an image. Therefore, he
has no thought of what the color looks like.
Same with a deaf person in relation to
sound. Our ideas are nothing more than
copies of our impressions.
It sure seems to me these people had a lot
of time on their hands to sit and think
about all this stuff. I think I can punch a
hole in his theory. There had to be a first
original thought somewhere up the chain.
First man - first thought. What about Jules
Verne and his submarine in 20,000 Leagues
Under the Sea? Or his novel, Journey
to the Center of the Earth? What about
any number of other authors who accurately
portray things far before their time?
It makes me wonder about Divine inspiration.
I think some ideas defy logic.
Besides, I question whether some things are
lost when a person tries to analyze and put
a scientific spin on them. Maybe it's better
to accept and thank God we are so blessed.
This very respected philosopher did
acknowledge that nothing is more free than
the human imagination. "Our minds have
the power to mix, compound, separate and
divide all of our ideas into a variety of
fiction and vision."
Now, there you go. I totally agree with
that. We have untold avenues of creativity.
I fear I've only tapped into a small portion
of ideas that float around aimlessly in that
gray matter, waiting for me to draft them
into a story.
I don't know about you, but all this
thinking is wearing me out. It's way over my
head anyway. I think I'll relax, curl up
with a generous portion of imagination in a
good book.
On second thought, I think I'll put some of
those fat, juicy ideas to work. After all,
they're only soaking up gray matter. I can
lie with the best of them and make readers
believe it could happen!
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